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I’ve been lukewarm about Dan Flavin all these years. That’s odd, really, because as someone who works reductively and with luminous color in my own painting, I should have embraced Flavin’s oeuvre. Better later than never. I’ve seen the light. Then again, this is the first time I've ever seen this particular piece.
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I walked into the Paula Cooper Galler to find a long rectangular structure
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