Detail of Caratina, 2011, oil on canvas, 20 x18
From the first time I saw Melissa Meyer’s gestural paintings, about 20 years ago in a small gallery in SoHo, I have marveled at the way they balance intense movement with the order of the grid. Meyer’s gestures are fluid, almost calligraphic, but they suggest to me something like skeins or tangles of yarn, which have more dimension than what
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