I found this interesting article on The Brazilian Sharon Tate Site and thought I'd share it here.
http://sharontate.bravehost.com/index.html
"CAPRICHO" - March 1968 - Brazil
HOLLYWOOD IS HELL'S GATE
SHARON TATE, ONE OF THE MOST PROMISING AMERICAN STARS OF THE NEW GENERATION, ACCUSES HOLLYWOOD OF BEING FALSELY MORALIST AND SAYS THAT THE OLD CINEMA MECA IS VERY DEPRAVED. SHE RESISTED A LOT OF PRESSURE TO GET HER STARDOM AND ENDURED ALL KINDS OF THREATS, EVEN FROM THE PRODUCER WHO DISCOVERED HER, JUST BECAUSE SHE DIDN’T WANT TO BREAK UP OR BETRAY HER GREAT LOVE.
"I’m completely psychedelic. And not in Julie Christie ’s way, please! I know there are people who think that I imitate her! Can you believe that? I want much more freedom than she has. Julie became a slave of her ambition. I think she’s frustrated. Now she says she’s neurotic. I’m not inhibited at all. I just do what I want. If I feel like it, I flirt with a cab driver. I like new things, try new sensations. Why not?"
Sharon likes to speak. And explosively. In her luxurious apartment she didn’t think for a moment: ask the maid to serve something serious from the bar, took her shoes and the stockings off, and loved chatting.
"I got tired of being nobody. I’ve been pretty since I was a little girl. Everybody kept telling me: Why don’t you make movies, Sharon? One day I decide to take the advice. I was very lucky. On the same day I went to an agent’s office from New York, a very strange man came in and said: 'It’s you. I’m gonna make you a movie star.' It looks like a fairytale, I know, but it isn’t."
The man was Martin Ransohoff, a producer who took 30 months and spent more than 500.000 dollars to prepare Sharon for stardom. The first movie Sharon did was Eye of the Devil. The impact she created was such that when Polish director Roman Polanski saw it in a private exhibition in London, he took a plane and went to Hollywood to take a look at that sensational girl. He had been looking for a face like hers for a long time: pure and depraved at the same time, to act in a movie about vampires he was preparing. The meeting of Sharon and Polanski became love at first sight. Much to Ransohoff’s anger, she had no doubts, went along with the young Polish director when he went back to London.
"And why not? I never promised Martin I would give up the right to live my own life the way I want. And then, it’s funny when one falls in love. It happens suddenly. Contracts, plans, everything changes at that moment. The notion I was in love with Roman overwhelmed me. Nothing else mattered. It’s wonderful and horrible at the same time. I stayed in London with Roman. I made Fearless Vampire Killers for him. Martin wouldn’t accept it. He even threatened me. I told him to go to hell. And what annoyed him the most was that I was living with Roman. 'At least, get married' he would shout. It’s funny; Hollywood is a very depraved place, the hell’s door, but knows how to be Victorian when it’s about beginners like me. The pressure was such that Roman understood. He married me. He’s an angel. He realized it was necessary. Hollywood offered me something wonderful though Martin Ransohoff: the role of Jennifer, in Valley of the Dolls, America’s number one best seller, the depraved and pill addicted vamp was coveted by people such as Candice Bergen, Anna Karina, Anouk Aimee, Anne Bancroft. They wanted to give me the role if I married Roman. And that happened. The worst, now, is that Martin doesn’t know that when I love I don’t give a damn to career and fame. When I love and get married, I want children, a home, a quiet life. He says Valley of the Dolls put Hollywood at my feet. And so what? Women who can handle marriage and career are very rare. When you want both things tragedy happens: the husband is jealous of his wife’s success, the wife gets tired of the husband’s jealousy, just because she wants the husband as much as her career. And what’s more important? A magazine cover to look for one whole day, or the love of a husband to have your whole life?"
Caption below photo reads:
30 MONTHS TO BE PREPARED – "Martin just wanted to prove that he could make anybody a movie star. I was very luck but then came the worst: 30 months of super intensive preparation. Diction, walking, singing, acting classes and some small parts in television. I learned how to be an actress."
Here is another great recommendation for "The Fearless Vampire Killers" :
http://zombiesaremagic.blogspot.com/2009/12/fearless-vampire-killers-1967.html
Micaela has uploaded many great videos of Sharon including the Hatami ones here:
http://www.youtube.com/watch?v=dSLTWdLY2Co
Showing posts with label Vampire. Show all posts
Showing posts with label Vampire. Show all posts
Wednesday, January 6, 2010
Monday, July 27, 2009
Sharon's Friend Actress Ingrid Pitt

According to Hal Erickson from All Movie Guide:
Ingrid Pitt was born in 1937 in Poland. She survived the war to become a leading actress on the East Berlin stage. She made her film debut in a Spanish bullfighting film, then spent many years playing decorative roles in international productions filmed on location in Spain: Doctor Zhivago (1965), A Funny Thing Happened on the Way to the Forum (1966), Chimes at Midnight (1967), and Where Eagles Dare (1969), among others. Pitt did not attain her "cult" status in films of that nature; instead, she won the hearts of gothic horror fans for her sensuous, stylish work in such films as The Vampire Lovers (1971) -- in which, as lesbian vampire Carmilla, she literally loses her head to Peter Cushing --The House That Dripped Blood (1971), Countess Dracula (1973), and The Wicker Man (1977). Ingrid Pitt is most familiar to televiewers for her performance as Elvira in the 1982 British miniseries Smiley's People.
Pitt has fond memories of Sharon Tate as well:
A photograph which was particularly poignant was a small picture of me with Sharon Tate, standing in a hotel lobby, making a telephone call. I remember the evening well.
I was in Rome to audition for Frederico Fellini. Very exciting! Get a Fellini film and the world was your crustacean. The meeting didn't go well. He said I was too thin and wanted me to fatten up if he was to consider me for a part. It didn't appeal.
Back at the hotel I was introduced to Sharon Tate by the manager. She was so fragile and beautiful it brought out the mothering instinct in me. She had been invited to dinner that evening by a friend of her husband. She asked me if I would like to join her. It suited me. Her husband, film director Roman Polanski, was hot at the time. When we got to the restaurant there was half a dozen blokes with attitude, ready and waiting. Typical macho Italians. They instantly went into mating mode and made a lot of noise and swilled back the wine like storm drains. Very wearisome. By about eleven Sharon and I had had enough. On the pretext of 'powdering ' our nose, we grabbed our coats and rang for a taxi. We were spotted by a journalist who grabbed a picture.
For the next couple of days we 'did' Rome. Sharon was enthusiastic but didn't have a lot of stamina. It was an enjoyable few days. When Sharon left she made me promise that next time I was in Los Angeles I'd call her. The opportunity came sooner that expected. A couple of weeks later I rang Sharon to tell her that I had been invited to a sportscar race in Laguna Seca in Monterey and I asked her if she would like to join me. She didn't fancy it but suggested that I should spend a few days at her home in Benedict Canyon.
That suited me. It would give me another chance to meet her husband.
I had met Roman a year or so earlier at Brand Hatch during a testing session. It hadn't been a good time to button hole him and parade the highlights of my practically non-existent career but he might be more susceptible in a relaxed mood at home. So two days later I dumped my bags in the cool dark entrance hall of her beautiful home and prepared to settle in.
Sharon was her usual beautiful, spaced out self. As she showed me to my room she apologised for the fact that Roman had to go away for a few days. Ah well! You can't have everything. When we were in Rome I had noticed Sharon was in the habit of leaving the door to her room open. I warned her against it but she wasn't interested. She suffered from claustrophobia and couldn't stand having the doors shut. This was carried over to her house. I never saw a shut door all the time I was there. Not even to the bathroom.
The end of the week came and I thought I had better head for home. Sharon and I promised undying friendship and I never saw her again.
About six weeks later the Manson gang turned up at her house and murdered her and her unborn child as well as some of her friends who happened to be there at the time. It was awful. I couldn't bear to think of the suffering of that beautiful woman at the hands of the beasts who attacked her. Sharon really was a paid up member of the 'Beautiful People'. Generous and not an ounce of spite in her.
When I look at that picture of the two of us crammed into a phone box together I want to cry.
Ingrid Pitt was born in 1937 in Poland. She survived the war to become a leading actress on the East Berlin stage. She made her film debut in a Spanish bullfighting film, then spent many years playing decorative roles in international productions filmed on location in Spain: Doctor Zhivago (1965), A Funny Thing Happened on the Way to the Forum (1966), Chimes at Midnight (1967), and Where Eagles Dare (1969), among others. Pitt did not attain her "cult" status in films of that nature; instead, she won the hearts of gothic horror fans for her sensuous, stylish work in such films as The Vampire Lovers (1971) -- in which, as lesbian vampire Carmilla, she literally loses her head to Peter Cushing --The House That Dripped Blood (1971), Countess Dracula (1973), and The Wicker Man (1977). Ingrid Pitt is most familiar to televiewers for her performance as Elvira in the 1982 British miniseries Smiley's People.
Pitt has fond memories of Sharon Tate as well:
A photograph which was particularly poignant was a small picture of me with Sharon Tate, standing in a hotel lobby, making a telephone call. I remember the evening well.
I was in Rome to audition for Frederico Fellini. Very exciting! Get a Fellini film and the world was your crustacean. The meeting didn't go well. He said I was too thin and wanted me to fatten up if he was to consider me for a part. It didn't appeal.
Back at the hotel I was introduced to Sharon Tate by the manager. She was so fragile and beautiful it brought out the mothering instinct in me. She had been invited to dinner that evening by a friend of her husband. She asked me if I would like to join her. It suited me. Her husband, film director Roman Polanski, was hot at the time. When we got to the restaurant there was half a dozen blokes with attitude, ready and waiting. Typical macho Italians. They instantly went into mating mode and made a lot of noise and swilled back the wine like storm drains. Very wearisome. By about eleven Sharon and I had had enough. On the pretext of 'powdering ' our nose, we grabbed our coats and rang for a taxi. We were spotted by a journalist who grabbed a picture.
For the next couple of days we 'did' Rome. Sharon was enthusiastic but didn't have a lot of stamina. It was an enjoyable few days. When Sharon left she made me promise that next time I was in Los Angeles I'd call her. The opportunity came sooner that expected. A couple of weeks later I rang Sharon to tell her that I had been invited to a sportscar race in Laguna Seca in Monterey and I asked her if she would like to join me. She didn't fancy it but suggested that I should spend a few days at her home in Benedict Canyon.
That suited me. It would give me another chance to meet her husband.
I had met Roman a year or so earlier at Brand Hatch during a testing session. It hadn't been a good time to button hole him and parade the highlights of my practically non-existent career but he might be more susceptible in a relaxed mood at home. So two days later I dumped my bags in the cool dark entrance hall of her beautiful home and prepared to settle in.
Sharon was her usual beautiful, spaced out self. As she showed me to my room she apologised for the fact that Roman had to go away for a few days. Ah well! You can't have everything. When we were in Rome I had noticed Sharon was in the habit of leaving the door to her room open. I warned her against it but she wasn't interested. She suffered from claustrophobia and couldn't stand having the doors shut. This was carried over to her house. I never saw a shut door all the time I was there. Not even to the bathroom.
The end of the week came and I thought I had better head for home. Sharon and I promised undying friendship and I never saw her again.
About six weeks later the Manson gang turned up at her house and murdered her and her unborn child as well as some of her friends who happened to be there at the time. It was awful. I couldn't bear to think of the suffering of that beautiful woman at the hands of the beasts who attacked her. Sharon really was a paid up member of the 'Beautiful People'. Generous and not an ounce of spite in her.
When I look at that picture of the two of us crammed into a phone box together I want to cry.
On the Official Sharon Tate Web page she tells it a little differently:
Roman was away somewhere and I stayed for about a week with Sharon. She had a touch of claustrophobia and hated shutting doors. Even in hotels. She was a lovely lady. I remember exactly when that photograph was taken. We had been invited to a charity in, I think, Fresno. It was pretty boring so we decided to leave and called a hired car to take us to the airport. Naturally the act of somebody doing something as exciting as phoning for a cab could not be passed up by the paparazzi so......
For it being so many years ago anyone can forgive a few mixed up details.


Even though you may not know it, Pitt and Tate share a few things in common:
Ingrid appeared as a vampire in a few films, Sharon in one, "The Fearless Vampire Killers." Ingrid appeared in Hammer films and Sharon played in a comedy spoof of them.
Ingrid appeared in "The Wicker Man," while Sharon was in what is now known as a precursor to that film, "Eye of the Devil." Both deal with human sacrifice in a supernatural way.
Pitt survived the Holocaust as did Sharon's husband, Roman Polanski.
Most who know her and even her fans say that Pitt is "one of the nicest people." This is something many also say about Sharon.
Both Pitt and Tate enjoyed traveling to Italy and spending time there.
If there are any other similarities please feel free to share them.
Please be sure to check out: http://www.pittofhorror.com/
It lists a new film festival she will be appearing at this October!
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